The Archive
Haunted Locations
Dusty parish records, crumbling ruins, and restless spirits — every entry in our archive has been unearthed from the darkest corners of East Anglia.
The Archive
Dusty parish records, crumbling ruins, and restless spirits — every entry in our archive has been unearthed from the darkest corners of East Anglia.

In a cellar in South Norfolk, a group of mediums produced phenomena so extraordinary that the Society for Psychical Research spent five years trying to explain them. They couldn't. Nobody can.
Between 1993 and 1998, in the cellar of a farmhouse in the village of Scole, South Norfolk, a group of four mediums conducted a series of séances that produced physical phenomena of a type and intensity that had not been documented since the Victorian heyday of spiritualism. The events were investigated by the Society for Psychical Research (SPR), whose three-member panel spent over two years attending sessions, testing conditions, and attempting to find rational explanations.
Their 300-page report, published in 1999 as the Scole Report, concluded that the phenomena were genuine, unexplained, and — in the careful, hedging language of academic parapsychology — "not attributable to fraud or misperception."
The Scole Experiment remains the most extensively documented paranormal investigation conducted in Britain in the 20th century. It is also, depending on your perspective, either the most compelling evidence for survival after death ever gathered, or the most elaborate hoax in the history of psychical research.
The group comprised Robin and Sandra Foy and mediums Alan and Diana Bennett. They met regularly in a purpose-built séance room in the cellar of Street Farmhouse — a room sealed against light, sound, and (critics would add) independent verification.
The sessions were conducted in complete darkness. This is standard practice in physical mediumship — the claim being that the energy required for physical manifestations is disrupted by light. Sceptics note, accurately, that darkness is also standard practice for stage magic.
What happened in that darkness was extraordinary. The phenomena reported and, in many cases, recorded included:
Luminous phenomena. Points of light appeared in the sealed room — not static, but moving with apparent intelligence, darting around the space, hovering near specific sitters, passing through solid objects, and in several instances landing on the séance table and leaving scorch marks. The lights were witnessed by all attendees, including the SPR investigators, and were captured on video under controlled conditions.
Physical contact. Sitters reported being touched by hands that materialised in the darkness — hands that gripped, patted, and in one case shook hands with an investigator. The hands were warm, solid, and anatomically correct. They appeared and disappeared without any detectable source.
Apports. Objects materialised during sessions: a copy of the Daily Mail from 1944, a Churchill crown coin, and — most remarkably — a series of photographic images that appeared on sealed, unopened rolls of film locked in a padlocked box on the table. The images showed faces, symbols, and texts, some identified as historical figures.
Audio phenomena. Voices spoke from different points in the room — not through the mediums (who were often speaking simultaneously) but from mid-air, from the ceiling, from inside the table. The voices identified themselves as deceased individuals and engaged in extended conversations with sitters and investigators.
Physical effects. The heavy oak séance table levitated entirely off the floor on multiple occasions. A crystal bowl placed on the table was found to have been relocated to the other side of the room. The padlocked box containing the film was moved without its lock being disturbed.
The Society for Psychical Research sent three investigators: Montague Keen, Arthur Ellison, and David Fontana — all experienced researchers, all initially sceptical. They attended sessions over a two-year period, brought their own equipment, and imposed increasingly stringent controls.
Their findings were, for the SPR, remarkably unequivocal. The investigators concluded that they had witnessed genuine anomalous phenomena under conditions that precluded fraud by the sitters. The luminous phenomena, in particular, were described as "unlike anything in the investigators' experience" and were produced under conditions where conventional light sources had been excluded.
The photographic evidence was subjected to extensive analysis. The images appeared on factory-sealed rolls of film that had been locked in a box throughout the sessions. The developers confirmed that the film had not been previously exposed or tampered with. The images themselves — faces, texts in multiple languages, and complex symbolic designs — defied straightforward explanation.
Not everyone was convinced. Sceptics pointed to the darkness as the fundamental problem: in total darkness, virtually any effect can be produced by a sufficiently skilled conjurer. The SPR's own membership was divided, with some members publicly criticising the report's conclusions.
The Scole group invited magician James Webster to attend sessions. Webster, an experienced stage illusionist, stated that he could not explain what he witnessed through conventional means.
The séances ended in 1998. The Foys moved away from Scole, and the cellar reverted to its previous function as a storage space. Street Farmhouse is a private residence and is not open to visitors.
But the phenomena did not entirely cease with the formal sessions. Subsequent owners of the property have reported unusual occurrences in the cellar — lights, sounds, temperature anomalies — though nothing approaching the intensity of the original experiments. Whether this represents residual energy from the sessions, the building's own pre-existing activity, or suggestion and expectation, is impossible to determine from the outside.
The village of Scole itself is unremarkable — a quiet South Norfolk settlement of flint cottages and farmland, the kind of place where nothing much happens. Which is perhaps why something so remarkable chose to happen here. In parapsychology, as in real estate, it's all about location.
Scole is on the A143 between Diss and Bungay in South Norfolk. The village is small, pretty, and offers no public access to Street Farmhouse or its cellar — it's a private home and should be treated as such.
What you can do is visit the Scole Inn, a fine 15th-century coaching inn on the main road, where you can sit with a pint and contemplate the fact that within walking distance of your bar stool, in a perfectly ordinary Norfolk cellar, something happened between 1993 and 1998 that three experienced investigators from Britain's oldest psychical research society could not explain, that a professional magician could not replicate, and that produced physical evidence — photographs on sealed film, scorch marks on a table, objects that materialised from nowhere — that remains unexplained to this day.
The cellar is just a cellar now. Probably. Almost certainly. The lights have stopped. The voices have gone quiet. The hands no longer reach out from the darkness to shake yours.
Almost certainly.